March
End of Line | Molly Hooper, for zombres.
It’s okay that, sometimes, she doesn’t count. Well, she— she counts, but not— she counts, of course she does, but there are times when she feels smaller than she should. But she is strong, stronger than they give her credit for, than he gives her credit for.
o1. You’ll See | Bedroom
o2. Nevers (Minimal) | Indoor Voices
o3. Take Care | Beach House
o4. Slow Life | Grizzly Bear (ft. Victoria Legrand)
o5. If I Have Been Unkind | Lanterns on the Lake
Cinematography
BBC Sherlock has got one feature that I liked in particular: stunning, absolutely breath-taking cinematography. The photography, the transitions, the angles, the choice of shots - there was thought invested into every single second of this series.
I picked those I liked the most, out of countless gorgeous moments. That, the music, the acting - all of these make the cinematography that turns BBC Sherlock into a perfect piece of work.
(via emmahyphenjane)
January
He knew, of course he knew, that it would have to come to this. But there are things that have also left him unguarded in this long moment, things that nothing could have prepared him for—mostly the feelings, the overwhelming swell of anger and protectiveness and the strange desperation. And then, of course, the resignation. He is not one to think that there is meaning behind any one moment of his life, seeing only the chaotic assembly, but somewhere he knows that if his life were to have any poetry at all, this would not be the final act. It would be the turn, the climax, and as he toes the edge, he can see John’s dark shape down below, and feels the resignation turn toward determination. Maybe it doesn’t have to be the final act after all.
